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Berlanga and Fernán Gómez, in dialogue

Berlanga and Fernán Gómez, in dialogue

In 2021 we celebrate the centenary of the birth of Luis García Berlanga (Valencia, June 12, 1921 - Madrid, November 13, 2010) and Fernando Fernán Gómez (Lima, Peru, August 28, 1921-Madrid, Spain, 21 November 2007), with three specific actions: a round table, a film series and a publication. Through these actions, the numerous points of contact between the filmographies of both creators and in the field of writing are analyzed, as well as those options in which their works and life trajectories, in the context of the same generation and the same political-social space, were divergent.
 
The round table, moderated by Manuel Hidalgo, takes place at the Cinema of the Círculo de Bellas Artes on November 4, with the participation of:
-Manuel Gutiérrez Aragon
-Fernando Méndez Leite
-Marta Fernández Muro
 

Admission to the round table and the film series is free until full capacity is reached. Tickets can be collected from 1 hour before at the box office of the Círculo de Bellas Artes.


⇥ The projection in the Estudio cinema room at the Círculo de Bellas Artes presents a series of films in which both participated, among these are:
- "That happy couple" (1951) / First film by Luis García Berlanga as director -together with Juan Antonio Bardem-, with Fernando Fernán Gómez as the leading actor. Neorealist-influenced comedy about everyday life and the aspirations of a married couple.
 - "Life ahead" (1958) / Fourth film by Fernando Fernán Gómez as director and first unanimously recognized by critics. Likewise, a comedy with a neorealist influence on the daily life and aspirations of a couple.
- "The strange journey" (1964) / Although cursed, it is perhaps Fernando Fernán Gómez's most prestigious film. Based on an idea by Luis García Berlanga, with a script by Pedro Beltrán - a regular collaborator of both filmmakers - it is a black and grotesque vision of the family, a common point of view in his filmographies.
- “Moros y Cristianos” (1987) / Antepenultimate film directed by Luis García Berlanga, in which for the second and last time FFG is its main interpreter. Popular, satirical and sainetesca comedy oriented towards the box office, an occasional target of Luis García Berlanga, in which Fernando Fernán Gómez coincided several times.
- "The anchorite" (1976) / Dramatic comedy that offers a curious and very suggestive confluence of the world of both filmmakers - misogyny, loneliness, pessimism, eroticism, couple, family, death, grotesque distortion ... - by a third party director . Juan Estelrich directs, Alfredo Matas produces, Pedro Beltrán acts, Rafael Azcona writes the script, all of them collaborators of the two filmmakers' films. Fernando Fernán Gómez, who stars in the film, was the author of the Prologue of the book edition of the script, which was followed by notes written by Luis García Berlanga.
 
⇥ Finally, the publication hinges on the milestones of the creative and vital dialogue of Luis García Berlanga and Fernando Fernán Gómez, in the abundant areas of convergence and divergence of both filmmakers and their films, in the context of the political, cultural and film situation in the Spain of his time.


 

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Berlanga and Fernán Gómez, in dialogue. Presentation
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Berlanga y Fernán Gómez, en diálogo (eBook)
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Berlanga y Fernán Gómez, en diálogo (eBook)

  • Type: Monographics

The centenary of the birth of Luis García Berlanga (1921-2010) and Fernando Fernán Gómez (1921-2007) allows us to analyze their filmographies as directors in comparative terms. Renovators of Spanish cinema in the 1950s and mainly cultivators of comedy, both drew from the same sources of the Spanish cultural tradition - picaresque, sainete ... - and had in common the collaboration with prominent figures of Spanish literature and cinema from the second half of the twentieth century. Along with the influence of Italian neorealism in his films, this book studies their shared relationships with such prominent writers as Wenceslao Fernández Flórez, Enrique Jardiel Poncela, Miguel Mihura, Edgar Neville and Rafael Azcona, among others, as well as with various screenwriters and filmmakers - Florentino Soria, Pedro Beltrán, Jesús Franco, Juan Estelrich… - who worked or influenced his films. This essay also points to the rest of their work as creators, points out at each moment the socio-political and cinematographic contexts of their careers and notes the divergent points of their trajectories.

Manuel Hidalgo (Pamplona, ​​1953) is a writer, cultural and opinion journalist, critic and screenwriter. In 1981 he published Fernando Fernán Gómez (Huelva Ibero-American Film Festival) and “El último austrohúngaro. Conversaciones con Berlanga" (Anagrama), co-written with Juan Hernández Les, a book reissued in 2020 by Alianza in a greatly expanded version. He has also published books on Carlos Saura, Francisco Rabal and Luis Buñuel (" El banquete de los genios “, Peninsula, 2013 Among his six novels, it is worth highlighting “El pecador impecable” (Tusquets, 1986), “Azucena, que juega al tenis” (Mondadori, 1988), ”La infanta baila" (Plaza and Janés, 1997) and “Lo que al aire mueve “(Algaida, 2008, Logroño Award). He has written, among others, the scripts for ”El portero" (2000, nominated for a Goya for Best Adapted Screenplay), “Nubes de verano”(2004) and “Mujeres en el parque” (2007). Other books of his are "El Hombre Malo estaba allí ”(Aguilar, 2001) and “El lugar de uno mismo” (Alianza, 2017).

Summary
1 El encuentro de Esa pareja feliz 
2 La inspiración del neorrealismo italiano 
3 Florentino Soria, Ennio Flaiano y Cesare Zavattini
4 Fernández Flórez, Calabuch y El malvado Carabel 
5 ¡Bienvenido, Mister Marshall! y Miguel Mihura 
6 Otras comedias, otros comediógrafos 
7 Solo para hombres y Ninette y un señor de Murcia 
8 Edgar Neville, el gran amigo común 
9 Enrique Jardiel Poncela, un referente 
10 En la galaxia de La Codorniz 
11 Salamanca y el Nuevo Cine Español 
12 Rafael Azcona, el hombre clave 
13 Plácido y El verdugo, un díptico magistral
14 Dos grandes películas: El extraño viaje y El mundo sigue  
15 En compañía de Jesús Franco 
16 La colaboración con el irrepetible Pedro Beltrán  
17 Antes y después de la hora de la Transición 
18 El camino de Juan Estelrich hasta El anacoreta 
19 La escopeta nacional y la llegada de la modernidad 
20 Moros y cristianos y El viaje a ninguna parte  
21 Las últimas películas, García Sánchez y el final 

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