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2nd Smart Culture Conference (2017)

2nd Smart Culture Conference (2017)

This conference  is organised jointly by Acción Cultural Española and Fundación Telefónica, in connection with the publication of the fourth edition (2017) of the AC/E Digital Culture Annual Report. The participating experts will discuss the application of new technologies in the culture sector:




Venue: Espacio Fundación Telefónica
Date: 4 April / 9.30 am to 2 pm
 
Programme
9.30 to 10 am Reception and accreditations
 
10 to 10.15 am Presentation of the conference and annual report
Elvira Marco Director General, Acción Cultural Española, AC/E
Almudena Bermejo Director, Espacio  Fundación Telefónica
 
10.15 to 10.45 am Presentation of the results of the Focus 2017. David Ruiz Torres
Associate professor at the Universidade Federal do Espírito Santo Brasil and author of the Focus of the AC/E Annual Report 2017 on the use of new digital technologies for the conservation, analysis and dissemination of cultural heritage. https://www.linkedin.com/in/druiztorres/
 
10.45 am to 12 noon Panel 1: Analysis of the latest digital technology trends in culture.
 
Roberto Carreras @RobertoCarreras
La banda sonora del futuro, presente (The soundtrack of the future, present)
Co-director, Muwom. http://robertocarreras.com
 
Ricard Robles @ricardroblesm
La experiencia de cultura digital en Sónar y Sónar +D (The experience of digital culture at Sónar and Sónar + D)
Executive director, Advanced Music (Festival  Sónar y Sónar+D )https://www.linkedin.com/in/venturabarba
 
Pedro Diezma @Pedro_Diezma 
Internet of Things, la revolución del arte el ocio y la cultura del siglo XXI (Internet of Things, the revolution in art, leisure and culture of the 21st century)
CEO, Zerintia, Wearable & IoT Top Influencer and contributor to the 2017 annual report.
http://pedrodiezma.com/
 
Natalia Camacho @Teatro_Real
El Teatro Real ante las nuevas tecnologías digitales (The Teatro Real and new digital technologies)
Head of digital, Teatro Real http://www.teatro-real.com/es
 
Moderator: Pepe de la Peña @sandopen 
Coach, digital technology expert, partner at Neolabels, advisor for the 2017 annual report http://sandopen.blogspot.com.es/
 
 
12.00 to 12.30 pm Coffee / Networking
 
12.30 to 2 pm Panel 2: The use of digital technology for the conservation and dissemination of art-historical heritage
 
Ximo Lizana https://www.facebook.com/ximolizana
Neuroculture: la neurociencia mide la cultura (Neuroculture: neuroscience measures culture)
Co-creator, Neuroculture, Creative director at Aqualium, expert in digital technology applied to culture and contributor to the 2017 annual report
 https://www.linkedin.com/in/ximo-lizana-9a9bb711
 
Carlos Bayod @FactumArte
Experiencias en la aplicación de tecnología digital para crear modelos digitales tridimensionales: La tumba de Seti I y el Políptico Griffoni. (Experiences in the application of digital technology to creating three-dimensional digital models: The tomb of Seti I and the Griffoni Polyptych)
Head of projects and conservation, FACTUM http://www.factum-arte.com
 
Silvia Lobo @MrsWolf81
Experiencias inmersivas de realidad virtual y videogaming  aplicadas al patrimonio (Immersive virtual reality and videogaming experiences applied to heritage)
Head of business development, Future Lighthouse http://futurelighthouse.com/
 
Reyes Esparcia@ReyesEsparpolo
 “El primer rascacielos”, experiencia inmersiva en VR sobre el edificio histórico de Telefónica. (‘The first skyscraper’, immersive VR experience on the historic Telefónica building)
Head of technological heritage and the historical archive, Fundación Telefónica
 
Moderator: Baltasar Fernández Manjón @BaltaFM 
Head of the computing department (UCM), director of the Telefónica-UCM Serious Games chair, advisor for the 2017annual report
 http://www.e-ucm.es/es/people/balta/
 
2 pm: Closing ceremony

 
Watch and listen
Smart Culture Conference 2017
Smart Culture Conference 2017
AC/E Digital Culture Annual Report 2017 (eBook)
eBooks

AC/E Digital Culture Annual Report 2017 (eBook)

  • Type: Reports

The AC/E Digital Culture Annual Report is a publication designed to promote digital culture on the internet and help sector professionals and creators understand how to incorporate digital technologies into their work.   
 
This fourth edition of the Annual Report analyses the main technological trends that cultural managers will need to be aware of over the coming years and the impact of new digital technologies on the conservation, dissemination and study of art-historical heritage. Its contents are divided into two main sections to make it easier for the various target audiences to read.   
 
The seven articles that make up the first part provide an up-to-date overview of digital trends in the world of culture, or trends in the digital world that are applicable to culture. Content curation to tackle digital information overload, neuroscience applied to technology, the latest advances in artificial intelligence, the Internet of Things and Big Data and its applications to culture, and the use of technology in music are some of the subjects examined in this edition.
 
Just as the Focus section of the first Annual Report looked at the impact of the internet on the world of the performing arts (theatre, opera, dance, ballet, etc.), the second edition studied the use of new technologies in museums and third carried out a thorough analysis of their use at fifty Spanish and international festivals, this fourth edition surveys the use of digital technology in the conservation, analysis and dissemination of cultural heritage. This sector is growing fast, leading to radical changes in methodologies and formats. Augmented reality to reconstruct archaeological sites, virtual reality to provide immersive experiences in historical contexts, the use of 3D printing to duplicate and preserve works of the past, drones, GPR and satellite imaging for archaeological prospecting, and 3D imaging to recreate contexts and disseminate historic heritage are some of the cases of good practice the study reports on in order to familiarise sector professionals with the most innovative experiences and where they are being carried out.  >See summary

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