This festival is held in Amsterdam annually. It is an innovative contemporary dance festival that has been held for the past 25 years in the Netherlands. Julidans will feature nearly 30 international contemporary dance productions, nine in the city’s main theatre (Stadsschouwburg Amsterdam), the heart of the festival.
For this 26th edition, the festival is offering a special programme of Spanish contemporary dance in collaboration with the Mercat de les Flors (Barcelona). Marcos Morau / La Veronal are taking part with "Voronia", a performance by the Barcelona company La Veronal. Voronia is a cave used as an allegory of hell and the quest for the concept of evil.
Lali Aygada’s ‘Kokoro’ is a choreography for four dancers, four people in search of their identity. They aimlessly pursue love, asking themselves questions such as what it consists of or its absence. What is our ability to love?
#LOSMICRÓFONOS by Jorge Dutor and Guillem Mont de Palol introduces audiences to a common universe that is all around us: pop culture. It is a choreography of names, song titles and choruses where the dancers conjure up landscapes with which the audience travels to an unknown field.
In ‘November’ by Roser López Espinosa, three dancers struggle to build a common landscape before the bad weather arrives. It is an approach to group and collaborative, personal and shared space, to a sense of belonging and imagination.
For this 26th edition, the festival is offering a special programme of Spanish contemporary dance in collaboration with the Mercat de les Flors (Barcelona). Marcos Morau / La Veronal are taking part with "Voronia", a performance by the Barcelona company La Veronal. Voronia is a cave used as an allegory of hell and the quest for the concept of evil.
Lali Aygada’s ‘Kokoro’ is a choreography for four dancers, four people in search of their identity. They aimlessly pursue love, asking themselves questions such as what it consists of or its absence. What is our ability to love?
#LOSMICRÓFONOS by Jorge Dutor and Guillem Mont de Palol introduces audiences to a common universe that is all around us: pop culture. It is a choreography of names, song titles and choruses where the dancers conjure up landscapes with which the audience travels to an unknown field.
In ‘November’ by Roser López Espinosa, three dancers struggle to build a common landscape before the bad weather arrives. It is an approach to group and collaborative, personal and shared space, to a sense of belonging and imagination.