At the International Studio & Curatorial Program (ISCP) each artist and curator is provided with a private and furnished studio space and 24-hour access to all communal facilities. While ISCP does not provide accommodation, most International Program sponsorships include stipends for living expenses, travel, materials and housing. All residents at ISCP are encouraged to take advantage of the in-house community of artists and curators, offering invaluable international and local networks, professional conversations and critique.
Guillermo Mora has been accepted into the International Studio & Curatorial Program (ISCP) with the support of AC/E, for three months.
During his stay from June 1 - August 31 2016, Guillermo Mora will have 24 hours access to a private studio and will be invited to participate in a number of activities in and outside of ISCP including the four core program activities: Visiting Critics, Field Trips, Salons and Open Studios.
Guillermo Mora is going to develop the project “Hantaï escondido” (Hidden Hantaï), based on the story of Simon Hantaï’s painting Untitled ("Blancs" suite), hidden for years between two paintings by Roy Lichtenstein in the MoMA warehouse in Queens and rediscovered in 2010 thanks to a restructuring of the collection.
The aim of the project is to create a new proposal based on this incident to highlight the concepts of concealment, overlapping and disappearance in painting.
Guillermo Mora has been accepted into the International Studio & Curatorial Program (ISCP) with the support of AC/E, for three months.
During his stay from June 1 - August 31 2016, Guillermo Mora will have 24 hours access to a private studio and will be invited to participate in a number of activities in and outside of ISCP including the four core program activities: Visiting Critics, Field Trips, Salons and Open Studios.
Guillermo Mora is going to develop the project “Hantaï escondido” (Hidden Hantaï), based on the story of Simon Hantaï’s painting Untitled ("Blancs" suite), hidden for years between two paintings by Roy Lichtenstein in the MoMA warehouse in Queens and rediscovered in 2010 thanks to a restructuring of the collection.
The aim of the project is to create a new proposal based on this incident to highlight the concepts of concealment, overlapping and disappearance in painting.