Conceived as a polyphony of voices and viewpoints on contemporary artistic production, the 34th Bienal de São Paulo – Faz escuro mas eu canto [Though it’s dark, still I sing] asserts the right to both complexity and opacity, in expressions of art and culture, as well as in the identities of individuals and social groups. To this end, the 34th edition has adopted a new format, aimed at creating a multiplicity of distinct situations in which the encounter between artworks and the public can take place.The curatorial team, which consists of Jacopo Crivelli Visconti, Paulo Miyada, Carla Zaccagnini, Francesco Stocchi and Ruth Estévez, hope to highlight how the interpretations and meanings attributed to artworks are elastic and influenced by a number of factors, including possible dialogues with other artworks shown around them.
The adjustments and changes, which have being multiplied due to the Covid-19 pandemic, are an integral and relevant part of the process of insistence, transformation and fine tuning that has gone into the design of the 34th Bienal.
AC/E supports the participation of Spanish artists to showcase their work and creativity.
The adjustments and changes, which have being multiplied due to the Covid-19 pandemic, are an integral and relevant part of the process of insistence, transformation and fine tuning that has gone into the design of the 34th Bienal.
AC/E supports the participation of Spanish artists to showcase their work and creativity.