Page 91 - AC/E Digital Culture Annual Report 2016

17. https://en.wikipedia.org/wiki/Web_series Contrary to what is stated in the Wikipedia entry, I do not consider House of Cards or Orange is the New Black to be examples of web series for the above reasons. ◄Funcionarios del Ministerio del Tiempo,https://www.facebook.com/groups/ funcionariosdeltiempoMinistéricos Unidos, https://www.facebook.com/ ministericosunidos ◄27. https://en.wikipedia.org/wiki/Internet_meme ◄ https://en.wikipedia.org/wiki/Fan_ ction ◄29. Cascajosa, Concepción (Ed.): Dentro del Ministerio del Tiempo. Léeme Editores, 2015. 9788415589310 ◄30. We take Transmedia Storytelling (TS) to mean a group of stories, set in the same universe, which can be read autonomously, though the whole will always be more than the sum of the parts. The various stories are presented in a huge varietyof media (both analogue and digital) and they can be related by highly varied architecture. Although he did not coin the term, the concept is usually attributed to Henry Jenkins. For a broader de nition see:Jenkins, Henry: Transmedia 101. Confessions of an Aca-Fan, the O cial Weblog of Henry Jenkins. 22 March 2007 (online) http://henryjenkins. org/2007/03/transmedia_storytelling_101.html ◄18. It is often thought that web series must be low-budget, humorous products; this ceased to be truesome time ago. The following link is intended as 28. an example of the variety of products currently onthe market. http://www.raindance.org/10-web- series-you-should-be-watching-in-2015/ ◄19. https://en.wikipedia.org/wiki/YouTube#Youtube_ Partners ◄20. The video is a compilation of microvideos for a campaign run by HP on Vine, under the hashtag #BendtheRules (online). https://www.youtube. com/watch?v=B9Tx6olI3l8 ◄21. http://www.arte.tv/sites/en/webdocs/?lang=en ◄22. https://www.n .ca/interactive/ ◄23. Domínguez, Eva: Stories are Experienced. SlideShare. 2 December 2013 (online). http:// www.slideshare.net/dominguezeva/stories-are- experienced ◄24. Montecarlo: El cine como experiencia. Audiovisual 31.innovation. 21 November 2015 (online). http:// innovacionaudiovisual.com/2015/11/21/el-cine- como-experiencia-y-iii-nuevos-territorios- 33. cinematogra cos I include the link to the last parthttps://en.wikipedia.org/wiki/Spin-o _(media) ◄ 32. https://en.wikipedia.org/wiki/Fictional_crossover ◄This pro le is a cross between transmedia executive producer and transmedia architect ◄of the post, though I recommend reading thewhole article from start to nish. (The links in the rst two parts are embedded in the third). ◄ 35.25. Cortés, Ilde: Analizando ‘El Ministerio del Tiempo’: 36.un éxito en redes y televisión. IldeCortes.com.9-5-2015 (online.) http://ildecortes.com/2015/05/ analizando-el-ministerio-del-tiempo-un-exito-en- 38. redes-y-television/ ◄26. There are many social media groups (open and 39.closed), communities and pro les, as well as labels (hashtags) identifying conversations related to theseries. To cite a few examples: 41.34. https://en.wikipedia.org/wiki/Showrunner ◄ https://en.wikipedia.org/wiki/Prosumer ◄https://en.wikipedia.org/wiki/Crowdfunding ◄37. http://www.bbc.com/news/business-18460302 ◄https://en.wikipedia.org/wiki/Peer-to-peer_ lending ◄https://en.wikipedia.org/wiki/Freemium ◄40. https://en.wikipedia.org/wiki/Pay-per-view ◄http://teatroencasabcn.blogspot.com.es/p/blog- page_13.html ◄AC/E DIGITAL CULTURE ANNUAL REPORT 201691Smart Culture: Impact of the Internet on Artistic Creation