Page 48 - AC/E Digital Culture Annual Report 2016

48Endnotes18. Artists Daniel Canogar (Madrid, 1964), Patxi Arau- jo (Pamplona, 1967), Moisés Mañas (Alicante, 1973), Clara Boj and Diego Díaz (Murcia, 1975), Guillem Bayo (Barcelona, 1976), Félix Luque (Oviedo, 1976), Pablo Valbuena (Madrid, 1978), Néstor Lizalde (Zaragoza, 1979), Mar Canet (Barcelona, 1981), Daniel Palacios (Córdoba, 1981), Jaime de los Rios (San Sebastián, 1982), César Escudero (Ávila, 1983) and Mario Santamaría (Burgos, 1985) answereda list of questions emailed to them in December 2015. ◄19. The citations in this and the following paragraphs are taken from the answers supplied by the artists to the author of this article. ◄20. Félix Luque (Oviedo, 1976) is a Brussels-based art- ist who works with the aesthetic of cutting-edge technology and develops complex installations which have been shown internationally. Among the distinctions he has received are a Mention1.2. 3.5. 6. 7. 8. 9.10.11.12.13. 14. 15. 16. 17.Eyestorm was later relaunched on a smaller scale and was acquired by a group of investors in 2011.It currently continues to sell limited-edition art. ‘About’, Eyestorm. http://www.eyestorm.com/pag- es/AboutEyeStorm.aspx ◄Saatchi Art, http://www.saatchiart.com ◄‘Saatchi Online: Graceful Exit, Miserable Returns’, Skate’s, 27 October 2014. http://www.skatepress. com/market-notes/saatchi-online-graceful-ex- it-miserable-returns/ ◄VIP Art Fair was at www.vipart.com, which no Artspace, http://www.artspace.com ◄Artsy, https://www.artsy.net ◄ Sedition, http://www.seditionart.com ◄ Paddle8, https://paddle8.com ◄The auctions Paddles ON! (http://paddle8.com/ auction/paddleson2013), Born Digital (http://pad- dle8.com/auction/linkart) and Paddles ON! Lon- don (http://paddle8.com/auction/paddleson). ◄According to various sources (Galperina, 2013; Cardenas and Justin, 2015, pp. 55–56), the Paddles ON! Auctions totalled 90,600 dollars and 83, 500 pounds sterling, insigni cant sums compared to the turnover ofPaddle8, which amounted to 50 million dollars in 2013 (Johnson, 2014). ◄Amazon Art, http://www.amazon.com/Art ◄This particular characteristic sparked criticism when Amazon launched its art section (Willet, 2013). ◄FRM, http://frm.fm ◄Electric Objects, http://www.electricobjects.com ◄ Meural, http://www.meural.com ◄Depict, http://www.depict.com ◄DAD, the Digital Art Device, http://dad.digital ◄4.longer exists. ◄of Honour at the Ars Electronica festival (Linz), a nomination at the transmediale festival (Berlin) and a production prize at the VIDA competition. http://felixluque.com ◄Néstor Lizalde (Zaragoza, 1979) bases his artistic practice on experimenting with new media, draw- ing on his academic background. He has shown his work, characterised by interactive installations, at various exhibitions, festivals and art galleries, chie y in Spain. He recently took part in a group exhibition at Ars Electronica together with Félix Luque and Pablo Valbuena, with the collaboration of AC/E. http://nestorlizalde.com ◄22. Guillem Bayo (Barcelona, 1976) has pursued his professional career mainly in Spain, showing works created using digital technologies at exhibitionsof contemporary art in museums, art centres and galleries. Among the prizes he has received is an award at the VIDA 8.0 competition. http://www. guillembayo.net ◄23. Pablo Valbuena (Madrid, 1978) mainly works on site-speci c installations combining real and vir- tual space. He has shown his work in large-format projects in public space and in museums, art cen- tres and galleries in many countries. Among the21.THE ART MARKET IN THE AGE OF ACCESS · PAU WAELDERSmart Culture: Impact of the Internet on Artistic Creation