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create an installation of her highly-acclaimedart project protesting against street harassment, ‘Stop Telling Women to Smile’. Fazlalizadeh’s visit to Mexico was her rst to the country; it was also the rst time the STWTS project — for which Fazlalizadeh papers city streets with hand- drawn portraits of women pushing back against their street harassers — had ever been created and then exhibited outside of the United States.The goal of this project was to amplify the voices of Mexican women who are challenging the ways in which their communities turn a blind eye to harassment and violence against women. ‘I wanted to nd out, what do women in Mexico City go through?’ says the NYC-based Fazlalizadeh. ‘What are their experiences? What are their stories? How’s what they experience di erent from what I experience? How can I re ect those di erences in these pieces?’Street harassment, also known as ‘acoso en las calles’, is an enormous problem in Mexico City and the country as a whole, where rates of sexual violence against women are some of the highest in the world.In this project, we tried to bring 76 short stories of the individuals who wanted to speak out about their experiences with street harassment. Here the text wouldn’t do justice, so we used image: the artist drew the women’s faces with a line of text saying what they hear mostly asa harassment. Combining image and text inthe public space, this project would create an interaction among population and their stories. To bring this story to our online audience we used video of theses women telling us what they hear everyday, how that makes them feel etc. This is a new way of telling huge amounts of stories in a very accessible way to consume them, bringing these women closer to the public’s understanding in expectancy of reaching empathy.How might we use human-centred design for media innovationTalking about the crisis ‘media is facing’ is a topic that has been making headlines for quite some time now. Media talking about media... where often we see journalists themselves feeling they are the protagonists of their stories... it’s time to shift the focus point and adapt to the digital reality – we need to start with our readers, they need to be the focus group.Human-centred design starts by framing problems as opportunities by observing people and their behaviours.With the huge migration crisis taking placein the Mediterranean Sea, I decided to create something revolutionary to try to address this problem with a new strategy: a strategy tobring together journalists from di erent, and sometimes competitive newsrooms, together with designers, developers, activists, lawyersand digital thinkers, to try to come up with new solutions to help these millions of refugees trying to escape from their home country in search ofa livelihood and decent quality of life for their families. All of this is carried out in collaboration across newsrooms, across talents, across cultures and all with the same goal – to help solve this unsolved problem where NGOs, Governments and Policy makers have had no answer to address. For this Fusion and I, together with Global Editors Network3 and the Italian Coalition for Human Rights and Freedom - CILD4 put together a two-week event in Rome, where we had the access to several NGOs such as theRed Cross, United Nations, UNHCR, Urban refugees, European Protection Now, GhostBoat, The Migrant Files, Archivio Migrantiand Carovane Migranti, among others.This team was joined by two designers from IDEO5 (Sina Mossayeb and Ed White), a company devoted to nding solution using human-centredAC/E DIGITAL CULTURE ANNUAL REPORT 201629Smart Culture: Impact of the Internet on Artistic Creation